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In 1996 Alvaro García de Zúñiga and Teresa Albuquerque created blablalab, a ‘language laboratory’ in which they work towards the production of pieces difficult to label because they are situated in vague terrain, for example, ‘Piece a Conviction’, for soprano, saxophonist and jealous woman (wife?); or ‘Exercises in Frustration’, a ‘theatrefilm’ that begins with a plastic installation passing by a cinematographic projection as a dramaturgical element and finishing with a very short and poetic piece of theatre by Gherasim Luca (‘Qui Suis-je?’).
 
In 1996 Alvaro García de Zúñiga and Teresa Albuquerque created blablalab, a ‘language laboratory’ in which they work towards the production of pieces difficult to label because they are situated in vague terrain, for example, ‘Piece a Conviction’, for soprano, saxophonist and jealous woman (wife?); or ‘Exercises in Frustration’, a ‘theatrefilm’ that begins with a plastic installation passing by a cinematographic projection as a dramaturgical element and finishing with a very short and poetic piece of theatre by Gherasim Luca (‘Qui Suis-je?’).
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About AGZ:
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'''[[Conférence de Presse parte 2|Words, William, just words]]''' interview by João Luís Pereira
  
  
  
 
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Revision as of 09:15, 6 January 2008



In 1996 Alvaro García de Zúñiga and Teresa Albuquerque created blablalab, a ‘language laboratory’ in which they work towards the production of pieces difficult to label because they are situated in vague terrain, for example, ‘Piece a Conviction’, for soprano, saxophonist and jealous woman (wife?); or ‘Exercises in Frustration’, a ‘theatrefilm’ that begins with a plastic installation passing by a cinematographic projection as a dramaturgical element and finishing with a very short and poetic piece of theatre by Gherasim Luca (‘Qui Suis-je?’).


About AGZ:

Words, William, just words interview by João Luís Pereira


blablalab