Alvaro García de Zúñiga's plays don’t have characters. His theatre is constructed by the actors who, using theatrical convention, interpret his texts and create a stage ready for a multiplicity of interpretations within which anything is possible. His works are, therefore, a variable geometry because they can be represented by one person or by many.
The plays:
Le Théâtre n'est que du Cinéma | Theatre is nothing but cinema…
Théâtre Impossible | Impossible Theater
Lecture d'un texte pour le théâtre | Reading of a text for the Theatre
Conférence de Presse | Press Conference
Pièce a Conviction | Piece of Conviction for soprano, saxophonist and jealous woman (wife?)
(M)oral play
“A long long time ago, before putting an end to her days by throwing herself into a sausage maker while singing the final aria of Madame Butterfly backwards, the greatest diva of the Milan Kabuki Theatre, soprano Yo-Tampoko No-era, knew a man…”
- concert-reading by Yumi Nara, Daniel Kienty and Reina Portuondo, Festival Nova Musica, December 2004
Exercices de Frustration | Exercises in Frustration